The Institute for Early Music and Historical Performance Practice takes a passionate and historically informed approach to music from the Renaissance to the early Romantic period. The study program combines active chamber music and baroque orchestra life with a broad range of theory courses on historical performance practice. Students receive this practical and theoretical training from experienced and internationally active performers and researchers.
Lehrende
Teaching Staff
 
            Balyan, Mikayel
Hammerklavier
 
        
Black, Emma
Barockoboe
![[Translate to English:] (c) privat Coden, Enrico](/fileadmin/_processed_/6/1/csm_Enrico_Coden_1_0c49b05496.jpg) 
        
Coden, Enrico
Universitätsassistent (PraeDoc) in historisch informierter Aufführungspraxis
 
        
Dragosits, Anne Marie
Harpsichord
 
        
Feuersinger, Miriam Franziska
Historischer Gesang
 
        
Gaisböck, Wolfgang
Historische Trompete
 
        
Gatti, Marcello
Traversflöte
 
        
Giesen, Matthias
Musiktheorie, Generalbass, Stilkunde/Aufführungspraxis
 
            Januj, Anna
Historische Blöckflöten
 
        
Landlinger, Franz
Historische Trompete
 
        
Laubhold, Lars-Edvard
Musikgeschichte, Quellenkunde und Instrumentenkunde
 
            Máté, Balázs
Barockcello
 
        
Nicklaus, Hans Georg
 
        
Obmann, Markus
Wienerhorn
 
        
Oman, Martina
Korrepetition
 
        
Oman, Michael
Blockflöte
 
            Urbanetz, Christoph Ludwig
Viola da Gamba
![[Translate to English:] (c) Maria Frodl Wiesbauer, Elisabeth](/fileadmin/_processed_/5/9/csm_C0A1731_hoch_1_9b13d070ae.jpg) 
        
Wiesbauer, Elisabeth
Institutsdirektorin / Barockvioline / Barockviola / Euridice Barockorchester
 
        
Zell, Raimund
Stellvertretender Institutsdirektor / Horn
![[Translate to English:] © Wolfgang Ender](/fileadmin/_processed_/e/1/csm_DSCF6045_2480_3b0e3579da.jpg)