The Institute for Early Music and Historical Performance Practice takes a passionate and historically informed approach to music from the Renaissance to the early Romantic period. The study program combines active chamber music and baroque orchestra life with a broad range of theory courses on historical performance practice. Students receive this practical and theoretical training from experienced and internationally active performers and researchers.
Lehrende
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Balyan, Mikayel
Hammerklavier
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Beladzed, Liudmila
Dulcimer
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Black, Emma
Barockoboe
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Dragosits, Anne Marie
Harpsichord
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Feuersinger, Miriam Franziska
Historischer Gesang
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Gaisböck, Wolfgang
Historische Trompete
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Gatti, Marcello
Traversflöte
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Giesen, Matthias
Musiktheorie, Generalbass, Stilkunde/Aufführungspraxis
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Gnigler, Christine
Historische Blockflöten
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Köster, Maik
Musikgeschichte und Analyse
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Landlinger, Franz
Historische Trompete
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Laubhold, Lars-Edvard
Musikgeschichte, Quellenkunde und Instrumentenkunde
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Máté, Balázs
Barockcello
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Obmann, Markus
Wienerhorn
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Oman, Martina
Korrepetition
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Oman, Michael
Blockflöte
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Urbanetz, Christoph Ludwig
Viola da Gamba
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Wiesbauer, Elisabeth
Institutsdirektorin / Barockvioline / Barockviola / Euridice Barockorchester
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Zell, Raimund
Stellvertretender Institutsdirektor / Horn