The Institute for Early Music and Historical Performance Practice takes a passionate and historically informed approach to music from the Renaissance to the early Romantic period. The study program combines active chamber music and baroque orchestra life with a broad range of theory courses on historical performance practice. Students receive this practical and theoretical training from experienced and internationally active performers and researchers.

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Lehrende

Teaching Staff

Balyan, Mikayel

Hammerklavier

Beladzed, Liudmila

Beladzed, Liudmila

Salterio

Black, Emma

Barockoboe

Dragosits, Anne Marie

Dragosits, Anne Marie

Cembalo

Feuersinger, Miriam Franziska

Feuersinger, Miriam Franziska

Historischer Gesang

Gaisböck, Wolfgang

Gaisböck, Wolfgang

Historische Trompete

Gatti, Marcello

Gatti, Marcello

Traversflöte

Giesen, Matthias

Giesen, Matthias

Gnigler, Christine

Historische Blockflöten

Köster, Maik

Landlinger, Franz

Landlinger, Franz

Historische Trompete

Laubhold, Lars-Edvard

Laubhold, Lars-Edvard

Musikgeschichte, Quellenkunde und Instrumentenkunde

Máté, Balázs

Barockcello

Obmann, Markus

Obmann, Markus

Wienerhorn

Oman, Martina

Oman, Martina

Korrepetition

Oman, Michael

Oman, Michael

Blockflöte

Urbanetz, Christoph Ludwig

Viola da Gamba

Wiesbauer, Elisabeth

Wiesbauer, Elisabeth

Institutsdirektorin / Barockvioline / Barockviola / Euridice Barockorchester

Zell, Raimund

Zell, Raimund

Horn

Institute of Early Music and Historical Performance Practice

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