The Institute for Early Music and Historical Performance Practice takes a passionate and historically informed approach to music from the Renaissance to the early Romantic period. The study program combines active chamber music and baroque orchestra life with a broad range of theory courses on historical performance practice. Students receive this practical and theoretical training from experienced and internationally active performers and researchers.
Lehrende
Teaching Staff
Balyan, Mikayel
Hammerklavier
Beladzed, Liudmila
Salterio
Black, Emma
Barockoboe
Dragosits, Anne Marie
Cembalo
Feuersinger, Miriam Franziska
Historischer Gesang
Gaisböck, Wolfgang
Historische Trompete
Gatti, Marcello
Traversflöte
Giesen, Matthias
Musiktheorie, Generalbass, Stilkunde/Aufführungspraxis
Gnigler, Christine
Historische Blockflöten
Köster, Maik
Musikgeschichte und Analyse
Landlinger, Franz
Historische Trompete
Laubhold, Lars-Edvard
Musikgeschichte, Quellenkunde und Instrumentenkunde
Máté, Balázs
Barockcello
Obmann, Markus
Wienerhorn
Oman, Martina
Korrepetition
Oman, Michael
Blockflöte
Urbanetz, Christoph Ludwig
Viola da Gamba
Wiesbauer, Elisabeth
Institutsdirektorin / Barockvioline / Barockviola / Euridice Barockorchester
Zell, Raimund
Horn